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The Georgics: A Poem of the Land (Penguin Classics), by Virgil Kimberly Johnson
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About the Author
Publius Vergilius Maro (70-19 B.C.), known as Virgil, was born near Mantua in the last days of the Roman Republic. In his comparatively short life he became the supreme poet of his age, whose Aeneid gave the Romans a great national epic equal to the Greeks’, celebrating their city’s origins and the creation of their empire. Virgil is also credited with authoring two other major works of Latin literature, the Eclogues and the Georgics. Kimberly Johnson is a poet and a scholar of Renaissance literature. She is the author of two collections of poetry and the recipient of a National Endowment for the Arts Creative Writing Fellowship. Her poems, essays and translations have appeared in numerous publications, including The New Yorker. Cy Twombly is a well-known American artist, whose paintings are both graffiti-like and beautifully subtle. He lives in Lexington, Virginia, and Italy.
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Product details
Series: Penguin Classics
Paperback: 224 pages
Publisher: Penguin Classics; Bilingual, Reprint edition (February 22, 2011)
Language: English
ISBN-10: 0140455639
ISBN-13: 978-0140455632
Product Dimensions:
5.2 x 0.5 x 7.8 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#994,967 in Books (See Top 100 in Books)
The Georgics are not to everyone's taste, but it is an exquisite poem in many ways, and vastly influential. This is an excellent translation (Johnson). It is very close to the Latin, in fact it is sometimes so close as to make some lines temporarily puzzling -- and some of the word choices are very obscure English -- but it does give a feel for how much is actually being done in the very tight, mosaic-like Latin. A similar translation (also with facing page Latin) is David Ferry's well-known version, which is looser, but probably easier to read for the first time reader. Older, good translations are by the eminent Georgic scholar, Wilkinson (in an earlier Penguin edition with the most erudite introductions), and C.D.Lewis' earlier famous translation. The Oxford World Classics translation by Peter Fallon is just weird. For farmers, the line-by-line Mynors commentary on everything from soil types to astronomical signs is the bees' knees (for bees, check out book IV).
This is not a very good translation. The notes are fairly elementary and the vocabulary and syntax of the verse is obscure and confusing. Much better is L. P. Wilkinson's translation in an earlier Penguin edition. One nice thing about the present edition is the presence of the Latin original on the opposite page.
great! one can't have too many translations of the georgics
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The reviews are from Mynor's commentary, which is not the Wilkinson Penguin.The Georgics is a deep work, all the more powerful in these days of environmental concern. Part of its merit is its meditation on what is and is not controllable in the human relationship with the land. It is hard to believe that someone could write so beautifully about soil and pigs and vines, but Virgil accomplishes this and much more. It has for two thousand years been one of the touchstones of western civilization, so might be worth a little of your time! The best parts are in book 4 -- the allegorical story of beekeeping, which (among other descendants) finds a later echo in Book 1 of Paradise Lost -- and the exquisite story of Orpheus and Eurydice, itself embedded in the story of Aristeus and Proteus.Wilkinson is one of the deans of Virgilian scholarship, and it shows here in his introduction (there could have been more notes -- for notes, head for Mynor), and the translation is accurate and in places quite beautiful in its own right. Of the other translations available, Lewis is an old favourite, but I am now fond of David Ferry's version. David Ross' book on the Physics and Poetry of the Georgics is worth having as a resource to hand.
This is an extraordinarily beautiful edition of the poet's work translated by Dryden and published by the Heritage Press in 1953. The publisher shrewdly chose an Italian,Bruno Bramanti,to furnish illustrations that are grave and lovely.I prefer this translation by Dryden for its' structure,but there is an American-flavored rendering by Janet Lembke that is sensitive, and modern in the best sense of the word.That said,I find Dryden's trumpet of rhyme irresistible:What makes a plenteous harvest,when to turnThe fruitful soil,and when to sow the corn;The care of sheep,of oxen and of kine,And how to raise on elms the teeming vine;The birth and genius of the frugal bee,I sing,Maecenas,and I sing to thee.The translation is majestic,stirring and timeless.It is a fair tribute to Tennyson's description of "Roman Virgil" as "the lord of language".You will seldom own a more beautiful book.
The Kindle edition linked to this is NOT Mynors' commentary, obviously. Nor is the supposed hardback link, which is a rip-off press of J. B. Greenough 1900. "What makes the cornfield smile," etc. Beware.
The warm and friendly poet from Mantua, Publius Virgilius Maro, in his didactic poem entitled the "Georgics," covers topics relating to farming: in book one he deals with crops, in book two trees and shrubs, in book three livestock, and in book four bees. While several scholars have regarded this work as one of the best Latin poems ever, it must be taken into account that it is, nevertheless, far less entertaining than his famous "Aenied," and much more difficult to read. At times, in the "Georgics," Virgil echoes with that same brilliance many people have come to love in the "Aenied." But for the most part, this poem may be rigorous for anyone not serious about Roman poetry, so it is not recommended for everyone. In context of Virgil's time, this poem easily gets five stars, but the many archaisms found in it tend to alienate modern readers, and so, with much hesitation, the poem receives only three.
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