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Download Heaven Is All Goodbyes: Pocket Poets No. 61 (City Lights Pocket Poets Series No. 61)

Download Heaven Is All Goodbyes: Pocket Poets No. 61 (City Lights Pocket Poets Series No. 61)

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Heaven Is All Goodbyes: Pocket Poets No. 61 (City Lights Pocket Poets Series No. 61)

Heaven Is All Goodbyes: Pocket Poets No. 61 (City Lights Pocket Poets Series No. 61)


Heaven Is All Goodbyes: Pocket Poets No. 61 (City Lights Pocket Poets Series No. 61)


Download Heaven Is All Goodbyes: Pocket Poets No. 61 (City Lights Pocket Poets Series No. 61)

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Heaven Is All Goodbyes: Pocket Poets No. 61 (City Lights Pocket Poets Series No. 61)

Review

Shortlisted for the 2018 Griffin International Poetry Prize2018 American Book Award Winner2018 PEN Oakland Award WinnerWinner of the 2018 California Book Award for Poetry2018 NCIBA Poetry Book of the Year“Tongo Eisen-Martin’s Heaven Is All Goodbyes moves between trenchant political critique and dreamlike association, demonstrating how, in the right hands, one mode might energize the other—keeping alternative orders of meaning alive in the face of radical injustice. Eisen-Martin’s voice is a chorus of other voices, many arising from prisons and landscapes of engineered poverty; his poems are places where discourses and vernaculars collide and recombine into new configurations capable of expressing outrage and sorrow and love. This unpredictable volume is equally a work of commitment and of wonder; no false consolation, no settling for despair. Its music makes a clearing in the dominant logic of the day. 'When a drummer is present, he or she is God // I am not an I. / I am a black commons.'"—Judges' Citation, Griffin International Poetry Prize"Eisen-Martin responds to state violence, deindustrialization, police brutality, the prison industrial-complex, and more in this churning whirlpool that records the complicated experiences faced by members of the African diaspora in America. He looks to history, writing of 'the way condemned Africans fought their way back to the ocean only to find waves made of / 1920s burned up piano parts / European backdoor deals / and red flowers for widows who spend all day in the sun mumbling at San Francisco.' But as an educator and organizer, Eisen-Martin is also steeped in the current moment. The passion with which he writes calls the reader to join the masses in the streets: 'you are going to want/ to lose that job / before the revolution hits.' It’s a slippery, complex collection; long poems of polyphonic voices slalom across the margins of the page while unattributed quotes pop in and out, like singular expressions in a protest crowd. 'We got plenty of pain/ to stay on this guitar/ for one hundred years,' declares an anonymous voice in 'May Day' amid swirls of lament and celebration. Unabashedly a product of 21st-century America and fully attuned to its historical lineage, Eisen-Martin’s impeccable collection is a crucial document of this time."—Publishers Weekly, starred review"[T]he poems of [Eisen-Martin's] astonishing book Heaven Is All Goodbyes come together and read in a way that's similar to his speech … he paints tragic pictures of death, oppressive systems and cigarettes dragged in order to breathe. … The voices enter and exit without explanation and are part of what makes his poems at once urgent protests and jazz-like puzzles."—San Francisco Chronicle"'Somewhere in america/ the prison bus is running on time,' writes Tongo Eisen-Martin in Heaven Is All Goodbyes, the poetry collection I turned to most in 2018. (It came out in September 2017, but I got hip to it late — this isn't science.) Eisen-Martin is singing in dark times about dark times. Every poem pops with rightly sad inscrutability: 'the city rain feels like clientele.' Nature itself: a customer database. Anna Akhmatova, waiting in line outside a Soviet prison to learn of her son’s fate, was asked, 'Can you describe this?' 'Yes,' she said, 'I can.' Eisen-Martin waits in line with the rest of us, describing: 'If it has a prison, it is a prison. Not a city.'"—Michael Robbins, Chicago Tribune"There is a sublime cadence in Eisen-Martin’s work that is polyphonic, gritty, and unexpectedly fragile, like jazz. These poems yell, shriek, whisper, mumble in a mosaic of disenfranchised voices pondering police brutality, guns, the power of community, the terror of inherited addiction, and the cold nature of a city that blankets the poor and colored in oppression. . . . I don’t know about you, but it’s exactly the type of poetry I would want to be reading at the end of the world—the kind that holds a mirror to itself, then a mirror to that mirror.”—KQED Arts"Heaven Is All Goodbyes makes no promises … Instead, it recites a prayer that doesn’t expect to be answered … The equanimity and confidence of these poems cut through catastrophe, reminding us to stay attuned to the present moment, sensitive to whatever circumstances we may end up in.”—Mask Magazine"Eisen-Martin's poetry presents a frank and unflinching portrait of the contemporary urban imagination unrelentingly ravaged by social injustice. He serves witness to how prevalent the imbalances of race and power in our society are."—American Poetry Review"The 42 poems in this poet's second book are a volatile cocktail of surrealism, blunt images, raw observations and transcendent epiphanies. Eisen-Martin is a poetic Jimi Hendrix on the page and the stage."—Cultural Weekly

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About the Author

Tongo Eisen-Martin is the author of Heaven Is All Goodbyes (City Lights Books, 2017) and someone's dead already (Boostrap Press, 2015) and his poetry has been featured in Harper's and New York Times Magazine. Heaven Is All Goobyes was shortlisted for the Griffin International Poetry Prize and awarded the California Book Award for Poetry, an American Book Award, and a PEN Oakland Book Award. He is also a movement worker and educator whose work in Rikers Island was featured in the New York Times. He has been a faculty member at the Institute for Research in African-American Studies at Columbia University, and his curriculum on extrajudicial killing of Black people, "We Charge Genocide Again!" has been used as an educational and organizing tool throughout the country. He's from San Francisco.

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Product details

Series: City Lights Pocket Poets Series No. 61 (Book 61)

Paperback: 136 pages

Publisher: City Lights Publishers (September 26, 2017)

Language: English

ISBN-10: 9780872867451

ISBN-13: 978-0872867451

ASIN: 0872867455

Product Dimensions:

5 x 0.6 x 6.2 inches

Shipping Weight: 2.4 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#236,603 in Books (See Top 100 in Books)

amazing.. one of a kind voice.. get this book read it and be moved and blown open

This books has no rhyme or reason, nothing makes sense as the author jumps from phrase to phrase unrelated in bounds and leaps hoping the reader makes sense of it all, but that's not my job. The word play is weak and the imagery is too random for the metaphors to be able to adhere to each other in a coherent manner.

Tongo is a poet for the people. His imagery is powerful and profound. He hones in on capitalism and strips it naked to the point of blushing. He is the definition of poetic power the way words are wielded. Without diminishing his own unique voice, he is this generation's Gil Scott Heron. A masterful truth-teller, he speaks from the cracks of every broken stoop in America. This poetry collection will make you shout, cry, laugh, and shake you out of comfort. These poems do what poems ought to, they are " odes of strength, attack pieces, bomb, machine gun and rocket poems. Poems describing reality and methods of changing it."

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Heaven Is All Goodbyes: Pocket Poets No. 61 (City Lights Pocket Poets Series No. 61) PDF

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